CRAIG CUTTNER
Craig Cuttner
HBO
Craig Cuttner is senior vice president,
advanced technology, for Home Box Office.
His responsibilities cover projects related to
video and audio distribution systems and distribution-related computer and communications systems.
That includes satellites, compression, digital rights
management and related technologies, including high-definition television (HDTV), subscription video on
demand (SVOD) and wireless services to cell phones
in the United States and worldwide. He has been
active in HDTV technology since the late 1980s and
was named a Fellow in the Society of Motion Picture
and Television Engineers in 2000.
management” early in the days of HBO On Demand.
When more on-demand launched, and other content
was added to the mix, the need for asset management
became important. What we’ve seen, though, is that
affiliates still need to keep a watchful eye on DAM
systems—content still goes missing from the UI, and
consumers still complain when content isn’t where it
is supposed to be and when—so our caution to affiliates:
Automation does not mean “lights-out.”
Could you remind us about the efficiency/quality
gains you have seen related to MPEG- 4 to MPEG- 2
transcoding?
Currently, our MPEG- 4 HD is operating at about 50
percent of the bit rate of our MPEG- 2 HD, with better
picture quality. The MPEG- 4 to MPEG- 2 transcoders
in headends have been loaded with new code for stability
and picture quality improvements.
Are the metadata and digital rights aspects of
MPEG- 7 and MPEG- 21 on your roadmaps?
We keep a watchful eye on evolving standards—but,
so far, the cable industry’s standardization around
CableLabs metadata has served us all well—the
“encode and pitch once” model allowed VOD to be
very successful.
How much of an efficiency win is DVB-S2 on
your transponders?
HBO launched (in the ‘90s) with a 47 Mbps
approach—so our “net gain” was a 65 percent increase
in data throughput going to our chosen DVB-S2
rate of 72 Mbps. (Editor’s note: for more on HBO’s
delivery of MPEG- 4 content over DVB-S2, see sidebar.)
What obstacles do you see remaining to the
scaling of advanced (addressable/interactive)
digital advertising in cable networks?
Although HBO and Cinemax aren’t ad-supported,
some of those targeted advertising technologies are
interesting. The large-scale accurate distribution of
lots of content to loads of destinations—like we’ve
seen grow in VOD—isn’t trivial.
What technologies are you using to enable the
delivery of content to “three screens”?
For our HBO on Broadband trial with Time Warner
Cable, HBO is using Windows Media encoding. Our
encoding and delivery of content to wireless carriers
is based on their needs and infrastructure.
HBO Field Test Results
Conclusions reported in 2008 NCTA Technical Paper
on Field Test of DVB-S2 and MPEG- 4 HDTV deployment, by HBO Engineering Manager Andrew Levine:
Is business and technology partnering with cable
affiliates part of the “three-screens” equation?
In addition to the HBO on Broadband trial, we would
certainly discuss wireless content through cable
operators—but wireless activities by MSOs are limited.
Does the adoption of new digital asset
management (DAM) systems impact your
affiliates technically? If so, how?
The early-adopter MSOs were exposed to “asset
• RF transmission link using DVB-S2 is
“extremely stable.”
• A forward error correction (FEC) rate of
5/6 will yield a transponder data payload
of 72 Mbps, which is “suitable for
successful headend reception performance
with an average size downlink antenna.”
• The (Motorola) DSR-4410 integrated
receiver/decoder (IRD) “performed well
with no major issues.”
• “Stability and operational issues with the
(Motorola) DSR-6050 transcoder have
been addressed.”